Model CourseModel Course
R1:藝術與文化探求周遊之旅(3天2夜)
是一個可以悠閒遊覽北部絕景、佐渡主要藝術作品及文化體驗的行程。
Day 1
09:28Tokyo Station → Niigata Station
Approx. 2 hours | Joetsu Shinkansen “Toki 313”
11:29Niigata Station → Niigata Port
30 min | Bus for Sado Kisen or Taxi
12:00Arrive at Niigata Port
Lunch (1 hour 35 min)
13:35Niigata Port → Ryotsu Port
1 hour 7 min | Jetfoil
14:42Arrive at Ryotsu Port
Car Rental Pickup (10 min)
14:52Move to TAACHI
10 min
15:02Arrive at TAACHI
Registration/Booking (10 min)
15:12View Work No.14

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No.14 “Passing through the gold mine”
“The interiors of caves around the world all look alike.
Art binds them, becoming a path of the heart.” ̶ Xin Qi
Sado Island holds unique scenery; its gold-mining past echoes Taiwan’s Jiufen. Inside the caves, the landscapes look alike,
inspiring artist Xin Qi: the depths resemble tunnels through space, binding people with “unseen memories.” This is the origin of “Passing through the gold mine”.”
Viewing (1 hour)
16:12Move to accommodation in Ryotsu
15 min | To Ryotsu area accommodation
16:27Rest / Dinner at accommodation
Day 2
09:00Ryotsu Local Museum + Work No.7

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No.7 “Renketsu-sei / Plastic Sea”
I first came to Sado Island in 2016 as a marine biologist studying bluefin tunas in partnership with local fishermen and the Japanese government. Wild experiences on the fishing boats off the Washizaki coast and quiet days spent beachcombing north of Ryotsu left me with a deep appreciation for the island’s hardworking people and natural beauty. Sado Island is not immune to the international issue of ocean plastic pollution, and many of my early artworks were inspired by plastic objects collected off its beaches. My intention with “Renketsu-sei/Plastic Sea” is to highlight how plastic can entangle ocean animals and to encourage a systemic shift in humanity’s reliance on single-use plastics. I believe islands like Sado are microcosms that can become sources of innovation to solve broader societal challenges.
Viewing (1 hour)
10:00Move to Former Sado Fish Market “To Stop and Stay”
10 min
10:10View Work No.4 “Stay, stay”

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No.4 “Stay, stay” (Former Sado Fish Market)
I am drawn to the act of “movement.” The flowing scenery, the difference in the atmosphere of each place. Landing in a new place and interpreting what has accumulated there. It is perhaps similar to the feeling of reading a story. I create artworks based on this desire to move and the “physical experience” that can only be had there. Coming into contact with a place, opening my senses there, and creating a landscape. For me, this act itself is both a creative endeavor and a journey.
Viewing (30 min)
10:40Move to No.1-1, 1-2 Meeting Point
10 min
10:55View No.1-1, 1-2 (Reservation Required)

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No.1-1, 1-2 “POWER – Garbage Grave”
Part 1 starts at 11:00
Piercing through the abyss, debris drifts at furious speed across the sky.
The shining wreckage above resembles the backpacker once called the Lonely Planet. Even if all life on this planet were erased, it would continue in its orbit, faithfully following its path.
Surely God dwells in the heavens.
The G7 has loudly proclaimed that society reaches out to the garbage racing at eight kilometers per second. The desire to push beyond its limits accelerates
economic growth to the point of orbital speed.
For now, all we can do is observe the beautiful, shining garbage overhead from beneath the heavy layer of atmosphere, mistaking it for starlight.
Farewell, Earth. Departing debris.
In its wake, as it journeys through space, the romance and remorse of colonization continue to repeat forever.
2025—from this point on, the universe will be ripped from myth, and civilization will steer toward the end of the dreams of the Universal Century.
The socialization of the universe itself awakens the dreams of those who would monopolize the sky. O dust above the heads of all living things, remain with us.
Behold the highest stars—how lofty they are!
Let there be light upon the stardust that circles around us.
Viewing (1 hour 30 min)
12:30Lunch
1 hour
13:30Move to Ogawa Village
10 min
13:50Viewing Prints and Stroll in Ogawa Village
Viewing (40 min)
14:30Move to Sado Museum
35 min
15:05Sado Museum Viewing / Visit
Viewing (1 hour)
16:05Move to accommodation / Free time
40 min
16:45Arrive at accommodation
Rest / Free time (1 hour 15 min)
18:00Move to “Snack Bar” Culture Experience point
10 min
18:10Dinner / “Snack Bar” Culture Experience
3 hours 30 min
20:40Return to accommodation
10 min
20:50Arrive at accommodation
Day 3
09:30Depart accommodation, move to Work No.2
30 min
10:00View No.2 “Palace of the Dragon~🎵” (Former Hamayuri)

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No.2 “Palace of the Dragon~🎵” (Former Hamayuri)
Yayoi Deki
Born in Osaka in 1977.
Currently living in Hiroshima Prefecture.
Participates in numerous international exhibitions. Many of his works have a tropical motif.
https://anomalytokyo.com/en/artist/yayoi_deki/
Viewing (30 min)
10:30Move to Onogame / Futatsugame / Negai
30 min
11:00Drive to Onogame, Futatsugame, Negai; Move to Sado Gold Mine
1 hour 10 min
12:10Lunch near Sado Gold Mine
Lunch (1 hour)
13:10Go to Sado Gold Mine
15 min
13:25Visit Sado Gold Mine
Visit (1 hour)
14:25Move to Ryotsu Port
40 min
15:05Arrive at Ryotsu Port → Return Rental Car
10 min
15:05Ryotsu Port → Niigata Port
1 hour 7 min | Jetfoil
15:30 (Until Feb 8), 16:25 (From Feb 9)
16:37Niigata Port → Niigata Station
30 min | Bus for Niigata Station or Taxi
16:40Niigata Station → Tokyo Station
Approx. 2 hours | Joetsu Shinkansen “Toki 334”
Toki 334 (Dep. 17:26, Arr. 19:36) or Toki 338 (Dep. 18:18, Arr. 20:12)