ArtistArtist

Sub-Bar

Francesco Spaggiari(Germany)

Sub_Bar is a platform created to explore the body and the haptic sense through a new immersive form of musical experience. Instead of relying on audible sounds, tonal harmony, and speakers, Sub_Bar works with air-pressure modulations that are perceived through the body, seeking a new kind of harmony and balance within the powerful richness of sound waves generated by large subwoofers.
 
Home to a growing community of international hearing and Deaf artists, Sub_Bar transforms museums, festivals, open-air spaces, venues, and dancefloors into meditative environments—embracing and pioneering rituals where mind and body align as never before.
 
Sub_Bar Artists & Titles (Sado Island Exposition):
 
Senaida - Cradeland
Jason Snell - The dissolution of form
Perc - Subterrain
Daisuke Ishida - Into the hottest July (2023)
Grischa Lichtenberger - 0322_08
Martine-Nicole Rojina - Autopoiesis
Byetone - 16 Hz
Pawel Janicki - Resonant clara prospectus #1
Akkamiau - Sine qua non
Calvin Khan - Less ego 
Peter Kirn - Syncope
Fernando Fadigas - SubCaption #1
Östrol - Lost keys
Roberto Musci - Khayal
Felilcity Mangan - Emu and Friends
Bocu - Slow vibrant a frequent body awareness
Portrait XO - Submerged: A sonic translation of global temperature anomalies (1850-2025)
Tinkah - Equality dance
Cigarra - Cave
Francesco Spaggiari
Francesco is an artist, music producer, and creative with a career spanning electronic music and exhibition curation. His work explores the interaction between various cultural stimuli, drawing from his studies in communication and his deep curiosity about psychology and perception. This broad interest led him to expand beyond music production and, in 2019, found Eufonia, an interdisciplinary festival centered on sound, spanning diverse topics—biology, physics, aesthetics, musicology, neurology, psychology, archeology, architecture, technology, activism between others —and formats, including sound installations, panel talks, keynotes, rituals, concerts, gaming, and scientific & artistic experiments.
 
Francesco has collaborated on numerous projects at the intersection of science and art, from neuroscience to astrophysics. In 2011, he worked with AlphaWave to develop a sound/EEG game designed to train players in maintaining Alpha wave activity. After Eufonia Festival, he curated the online interview series "Clubbing: Deconstructed" for Google Arts & Culture, exploring the deep connection between clubbing and ancient rituals, highlighting their solid links and striking similarities. He also created the interactive installation "Larghissimo" in collaboration with the Institute of Astrophysics of Portugal (IASTRO). This piece used 16 speakers to generate a sound field, with the movement of people entering the installation serving as input to slow down the tempo of arpeggiators playing from each speaker—sonifying the effect of mass on spacetime and the creation of gravitational waves.
 
Since 2021, Francesco has focused on developing Sub_Bar, both as an artistic practice and a sustainable infrastructure to ensure its continuous and international existence—a necessary step for it to be recognized as "music" by Deaf communities.
 
Eufonia Festival was nominated in 2020 for the Breakthrough of the Year Award by the Falling Walls Foundation but was canceled three consecutive times due to the pandemic. Sub_Bar was nominated in 2022 for the Social Innovation Award by the European Investment Bank Institute, and for the VUT Indie Award (the German music critic\\\\\\\'s Award) by the V.U.T. Organization in 2025. 
 
Across his past, present, and future work, Francesco thrives on the challenge of creating tools that empower societies, are ethically beautiful, and inspire cooperation—aligning existing conditions to generate greater value across disciplines and fields.

https://www.subbar.net/